An abstract composition capturing the dramatic interplay between vibrant crimson and stark white elements. The photograph presents a swirling vortex of deep red textures that dominate the frame, while a delicate, ghostlike white form emerges from the intensity, resembling a fluid apparition. The contrast between the turbulent scarlet background and the ethereal white figure creates a powerful visual tension, suggesting themes of emergence, transformation, and the dynamic relationship between chaos and grace. The white central figure bears a ghostly resemblance to Edvard Munch's agonized figure, particularly in how it stands out against the turbulent background
The sense of movement and emotion both works convey a powerful sense of dynamic energy and emotional intensity through their fluid, undulating forms

“The Scream” is a part of Alex Sher’s popular series Reflections underwater photographs that could be almost mistaken for abstract paintings. In fact Reflections are straight photographic capturing of the water’s surface from below, with a submerged underwater camera. The photographs freeze natural momentary reflections in water surface the unique kaleidoscopic fragmentations of human body into nearly unrecognizable forms.
It is these bold accents of color, mesmerizing textures, dramatic lines, and distinctive distortions that make Sher’s works unique masterpieces.